Laura Netz presents an exhibition exploring frameworks of DIY cultures, which emerged from the 1970s as a reaction to technological deployment.
Building/Burning Bridges
The project places Folkestone’s position and context within a complex networked narrative that touches upon themes of borders, building walls, bridges, commerce, transport, migration, capitalism, overconsumption and ecology.
This Is Not Home
‘This Is Not Home’ is a chance encounter between two artists who live and work on either side of the Channel.
Bullet
‘Bullet’ is a piece of new commission by the independent dance company Shades of Bray, founded by the Folkestone-based choreographer Jacob Bray. Enlisting contemporary dancer Jemma Wead and self-taught film-maker Joel Snowman.
Living On The Edge Of Existence
‘Living On The Edge Of Existence’ is a body of new paintings created by the Folkestone-based artist, Joff Insole during a two months residency that turned CT20’s project space into an open studio and installation.
Artist Curated Film Screenings
Throughout July to September 2019, CT20 invited artists and participants of Prescient Pool 2019 to share a series of films that have been significant and influential to their work.
Talkie Walkie Walkie Talkie
In the turmoil of the United Kingdom’s departure from the European Union, Talkie-Walkie Walkie-Talkie stimulated Franco-British artistic exchanges by engaging a new cross-border cooperation framework in the field of contemporary art.
An Active Ghost
Theresa Kneppers presented new photographs by the artist, David Christian, for an exhibition called ‘An Active Ghost’.
Transitions
‘Transitions’ is a set of four journals edited and produced by Pavement Pounders, a forum for ideas celebrating crossings whether universal, local, real or imaginary, using Folkestone as a geographical as well as metaphorical ‘edge’ place.
Experiential Mapping: Creation & Dialogue in Movement
Chilean artist Amalia Pascal invited local residents to take part in the process of art-making during her research residency in Folkestone. Using a diverse range of socially engaged art practices, Pascal reflects on how cultural exchanges have the potential to shape local identities and contexts.